|   Chic is Where You Find It “Wouldn’t
                it be nice if I could get a tweed byspinning together a bird’s nest and a
 spider’s web?”
 —Bonnie Cashin, 1972
 Bonnie Cashin (1908-2000) was one of the
                foremost American fashion designers in the second half of the
                twentieth century. At the vanguard of her field for nearly forty
                years, it is impossible to overstate the enormity of her influence
                on twentieth-century design. Best known for modular, layered clothes
                for Sills and Co. and accessories for Coach, fashion design was
                but one medium of expression for a woman whose work and life was
                a seamless continuum and madcap adventure.
 A "nomad by nature," Cashin grew up in a string of California
                cities, particularly fascinated by the jostling of Asian and South
                American cultures. She dreamt of being a ballerina, an artist
                or a writer. These early passions — for travel, exoticism,
                dancing, drawing, and storytelling — combined with her determination
                and talent to form a series of creative careers on both American
                coasts. She designed costumes for chorus girls, uniforms for World
                War II, and wardrobes for over sixty Hollywood movies, before
                her decades of fashion work as a "name" on Seventh Avenue.
 
 Cashin's oft-stated credo, "chic is where you find it," sums up
                her belief that a "habit of wonder" and an ability to see relationships
                between objects and ideas far removed from the fashion world were
                the most important tools for a designer. Rather than look at fashion
                history, she was apt to cite the "rhythm of poetry or good reading"
                from John Gardner, Henry Thoreau, Georges Seferis, Buckminster
                Fuller or Bertrand Russell as a means to stretch her mind and
                find inspiration for ready-to-wear designs. It is appropriate
                that Cashin's archive, a gift from her estate to Special Collections
                in the summer of 2003, now resides in a library. It was her hope
                that exposure to her whimsical, inimitable approach to design
                as a way of life encourage the creative process in any endeavor.
 —Stephanie Day IversonCurator, Bonnie Cashin Collection
 
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