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owers
entered active service in the U.S. Army on January 27, 1943, a little more
than a month before his 19th birthday. Leaving the University of North Carolina, he attended basic training camp, learned
how to fire a rifle, and nearly became an Army chaplain's assistant because
of his ability to play the piano. However, earnestly wishing to return to
campus life, he applied to the Army Specialized Training Program (ASTP)
and happily found himself, in 1943, studying French at Princeton University
for several monthsa period that he later recalled as one of the most
significant in his life.
It
was at Princeton that Bowers formed important friendships with intelligent
young men who shared his interests in art, music, and literature. One of
Bowers's roommates, Thomas Cassilly, had been a student of the southern
poet and critic Allen Tate at Princeton, and it was through Cassilly that
Bowers was introduced to poets of the modern canon, including T.S. Eliot,
as well as modern critics. At the same time, Bowers began reading the French
Parnassian poets Leconte de Lisle and José María de Hérédia, from
whom he would later borrow structural principles for his own poems. On weekends,
Bowers and his fellow ASTPers would frequently travel to New York City,
a short train ride from Princeton, to visit museums and attend the theater
and opera at rates discounted for servicemen.
But
when the Second World War intensified and the ASTP program was dissolved,
Bowers's idyllic life at Princeton suddenly came to an end. Trained to be
a French interpreter for the Army's Counter Intelligence Corps, he shipped
out for England on January 22, 1945, and was soon assigned to the 101st
Airborne Division. He traveled across France and Germany shortly thereafter,
writing to his family of the beautiful French countryside and the devastated
German cities he saw along the way. His unit would move from one fine German
house to another, displacing the owners to conduct their counter intelligence
activities.
In
the Alpine foothills of Miesbach, 30 miles south of Munich, Bowers's unit
took over a house that belonged to the family of a Bavarian countess named
Laura von Courten. It was on the terrace of her house that von Courten recounted
for Bowers the bombing of Munich, which she had witnessed. The eerie scene she described serves as the opening of one of Bowers's
most haunting war poems, The Stoic: For Laura Von Courten.
During
most of his year of active service in Europe, Bowers was posted at Berchtesgaden,
the site of Hitler's retreat in the Bavarian Alps. Bowers participated in
the de-Nazification program, which mostly entailed doing tedious
officework. When Bowers could get away from the office, he
frequently took trips through the countryside with friends in an Army jeep,
exploring alpine meadows, mountain villages, and local castles.
It
was in a castle near Saalfelden that Bowers came upon Mozart's claviers,
which had been moved there, for safekeeping, from the Mozart Museum in nearby
Salzburg. Bowers wrote his mother about the delicate condition of the old
instruments, somewhat damaged by rough handling, and described playing one
of them. The memory of that moment provides a graceful turn in one of his
earliest sonnets, For W.A. Mozart, a poem in which Bowers attests
to the emotional power of formal elegance.
After
10 months at Berchtesgaden, Bowers returned to the States and was honorably
discharged from the Army at Fort Dix, New Jersey, on April 17, 1946. He
completed his undergraduate degree at the University of North Carolina,
and then, with the encouragement of several of his classmates, including
the poet Donald Justice and the novelist Richard Stern, applied to Stanford
University to study with the poet and critic Yvor Winters, who did more
than anyone else to launch Bowers on his poetic career.
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Edgar
Bowers with Army Specialized Training Program roommates
Edgar
Bowers behind remains of Hitler's house
Edgar Bowers in front of remains of Goering's house
Edgar
Bowers and unidentified man at desk, Berchtesgaden, ca. 1945
Edgar
Bowers and Florence Tannenberger
Airborne
patch with head of an eagle
Edgar
Bowers and Laura von Courten
"The
Stoic: For Laura Von Courten"
Letter
from Edgar Bowers to Grace Bowers, July 7, 1945
Letter
from Edgar Bowers to Grace Bowers, May 29, 1945
THE
POEMS



"The
Stoic: For Laura Von Courten"
"For
W.A. Mozart"
"Clothes"
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