LUIS
ALVAREZ is assistant professor of history at the University
of Houston. His research and teaching interests include comparative
race and ethnicity in the post-World War II United States, popular
culture, and social movements. He is currently completing a book
manuscript entitled The Power of the Zoot: Identity and Resistance
in U.S. Youth Culture during World War II that explores the
multi-racial, trans-regional, and intricately gendered nature of
wartime youth culture. He has lectured and written on a wealth of
topics, including "From Zoot Suits to Hip Hop in Chicana/o
Youth Culture: Toward a Comparative, Post-National, and Social Movements
Based Chicana/o Studies"; "Of Pachucos, Hep Cats, and
Social Horizons: Masculine Bodies, the Zoot Suit, and Dignity in
World War II"; "Youth Culture and Dignity in Wartime America";
and "Who's Zooting Who? Race, Region, and Gender in American
Youth Culture." He has taught both graduate and undergraduate
courses and has offered an undergraduate course entitled "From
Zoot Suits to Hip Hop: Chicana/o Youth Culture Since World War II."
RALPH
ARMBRUSTER SANDOVAL is an Assistant Professor in the Department
of Chicano Studies, University of California, Santa Barbara and
an Affiliated Faculty Member in the Departments of Sociology and
Global and International Studies, and Latin American and Iberian
Studies Program at UCSB. He is interested in Globalization, Labor,
Political Economy, Social Movements, Latin American Studies (Mexico
and Central America), Race Relations, Critical Urban Studies, and
Marxism. His recent publications include "Cross-Border Labor
Organizing in the Garment Industry: The Struggle of Guatemalan Maquiladora
Workers at Phillips Van-Heusen" (Latin American Perspectives
26(2): 108-128) and "Cross-Border Labor Organizing in the Garment
and Automobile Industries" (Journal of World-Systems Research
4(1): 20-51).
STEVEN
F. ARVIZU, Ph.D., is a Stanford trained Anthropologist
and Cross Cultural Educator who resides in Oxnard, California, location
of California's most recent Civil Gang Injunction against the La
Colonia Chiques. He is a Citizen Activist and retired College President
(Oxnard College), now involved in community development, human rights
and leadership issues. Over the past four decades Dr. Arvizu served
as a tenured Professor of Anthropology at three California State
University campuses (Sacramento, Bakersfield, Monterey Bay). He
also held appointments as Director of the Cross Cultural Resource
Center (CSUS), Dean of Graduate Studies and research (CSUB), and
Founding Provost and Executive Vice President (CSUMB). He served
as President of the Council on Anthropology and Education (CAE),
President of the Association of Latina-Latino Anthropologists (ALLA),
Chair of the Board of Trustees for the Hispanic Association of Colleges
and Universities (HACU), and led several other regional and local
organizations. Recipient of numerous academic and community awards,
Dr. Arvizu also served as a Scholar at the Tomas Rivera Center.
He has authored many publications in cross cultural education and
innovation and pursues comparative life history research regarding
empowerment and leadership. He has also been active in the development
of programs and projects involving at risk youth and young adults
and community development initiatives. Recently in Oxnard he has
been a resource person to groups concerned with violence and community
based alternatives to the Oxnard Civil Gang Injunction. As a panelist
he will describe and analyze the Injunction strategy in the context
of civil rights, stereotyping and demonizing characterizations of
youth, understanding the underlying causes of gang violence, and
creative initiatives for intervention, redirection, and development.
FRANK
BARAJAS, Ph.D., worked over the past eight years as a history
instructor at Cypress College in Orange County. He now teaches at
California State University Channel Islands. Recent publications
include "Resistance, Radicalism, and Repression on the Oxnard
Plain: The Social Context of the Betabelero Strike of 1933"
(The Western Historical Quarterly, Spring 2004).
EDWARD
J. ESCOBAR is a professor and founding chair of Arizona
State University’s Department of Chicana and Chicano Studies.
His scholarly interests are in the areas of the Chicano experience
and twentieth century United States history. His recent book Race,
Police, and the Making of Political Identity, studies the relationship
between the Los Angeles Police Department and Mexican Americans
during the period 1900-1945. His current research project will extend
this same area of study through the Rampart Scandal and is tentatively
entitled Drawing the Thin Blue Line: LAPD-Chicana/o Relations
since World War II. His most recent article “Bloody Christmas
and the Irony of Police Professionalism,” published in the
Pacific Historical Review, was awarded the prize as the
best article in urban history published in 2003 by the Urban History
Association. His teaching interests coincide with his research,
teaching courses such as Race and the American Criminal Justice
System, Social Movements of the 1960s, Mexican American History
since 1900, and Introduction to Chicana/o Studies. He has won ASU’s
Manuel Servín award for distinguished faculty service to
the ASU Chicana/o community.
JUAN
GOMEZ-QUINONES is Professor of History, University of California,
Los Angeles, who specializes in the fields of political, labor,
intellectual, and cultural history. From 1969 to the present he
has taught university classes each year and has delivered papers
before professional historical societies in the United States and
Mexico. During his scholarly career he has completed several research
projects relating to political/labor history and public policy.
Among his over 30 published writings are: Mexican American Labor
1790-1990; The Roots of Chicano Politics, 1600-1940; Chicano Politics:
Reality and Promise, 1940-1990; Porfirio Diaz--Los Intellectuales
y la Revolución; Sembradores, Ricardo Flores Magon y el Partido
Liberal Mexicano, and Mexican Students por La Raza.
Current projects are studies on art and culture, on the mobilizations
of the 60s and 70s decades, Mexican-African relations, an autobiography,
and Greater Mexican East Los Angeles.
DEENA
J. GONZÁLEZ is completing her fourth year as Professor
and Chair of the Department of Chicana and Chicano Studies at Loyola
Marymount University in Los Angeles. Author of Refusing the
Favor: The Spanish-Mexican Women of Santa Fe, 1820-1880 (Oxford
Univ. Press, 1999) and with Suzanne Oboler (Editors in Chief) of
the forthcoming, comprehensive Encyclopedia of Latinos and Latinas
in the U.S. (Oxford Univ. Press, June, 2005), she has written
over thirty articles appearing in journals and anthologies, including
some in Unequal Sisters (Ruiz and Du Bois, eds.), Velvet
Barrios (Gaspar de Alba, ed.), and Major Problems in Mexican
American History (Vargas, ed.). Prior to her current appointment,
Dr. González spent eighteen years at Pomona College, teaching
some of the first courses in the nation entitled, “Latina
Feminist Traditions,” “Native America,” and “Mexican
America.” Trained as a nineteenth century frontier or borderlands
historian, she was the first Chicana to receive her Ph.D. from Berkeley’s
Department of History.
JAIME GONZALEZ MONROY was a supporter of the Sleepy Lagoon Defense
Committee and President of the Steel Workers Organizing Committee
Bethlehem Fabricating Plant local in Watts, and member of the CIO
Central Council for Los Angeles during the 1940s. He was also a
member of the Committee for the Protection of the Foreign Born, of which Carey
McWilliams was chair, and a member of the CIO Central Council which
intervened in the Zoot Suit Riots with the Los Angeles City Council
to get downtown Los Angeles declared off limits to sailors and other
military personnel. In the late 1940s, he was Vice President of
the CSO when it spearheaded the first campaign to elect Edward Roybal
to the City Council. He graduated from UCLA in 1961 and estimates
that he was one of six Mexican Americans in the graduating class.
Jaime Gonzalez Monroy is now 90.
CARLOS
MANUEL HARO is co-coordinator of the conference, The
Sleepy Lagoon Case, Constitutional Rights, and the Struggle for
Democracy. He serves as the assistant director of the Chicano
Studies Research Center at UCLA where he coordi¬nates the research
activities of the Center, including a research grants pro¬gram,
a postdoctoral and graduate fellowship pro¬gram, and faculty
development and visiting scholar program. In addition, he undertakes
and directs specific education research projects and scholarly conferences.
During 2004, he coordinated the Center-sponsored conference, Mendez
v. Westminster School District: Paving the Path for School Desegregation
and the Brown Decision. His publications include Criticisms
of Traditional Postsecondary School Admissions Criteria: A Search
for Alternatives, Mexicano/Chicano Concerns and School
Deseg¬regation in Los Angeles, and The Bakke Decision:
The Question of Chicano Ac¬cess to Higher Education. He
also co-authored Mendez v. Westminster: Paving the Way for School
Desegregation and co-edited International Education in
the New Global Era: Proceedings of a National Policy Conference
on the Higher Education Act, Title VI, and Fulbright-Hays Programs.
ALICE
GREENFIELD MCGRATH has been a social justice activist and
advocate for more than 65 years. She was executive secretary of
the Sleepy Lagoon Defense Committee, worked with the New Negro Theater
and the National Negro Congress in the 1930s, developed a pro bono
program for the Ventura County Bar Association, led dozens of tours
to Nicaragua, devised and taught a course on self-defense for women
and served on an access and fairness committee of the California
State Judicial Council. She is profiled by Studs Terkel in his book
Coming of Age: The Story of Our Century by Those Who Lived It.
She donated a major collection on the Sleepy Lagoon case to the
UCLA archives and her life has been recorded for the UCLA oral history
program. The Carey McWilliams and Alice McGrath collections at UCLA
have been used by numerous scholars and others researching the Sleepy
Lagoon case and the Los Angeles Zoot Suit riots. Luis Valdez used
the collections in preparation for writing his play "Zoot Suit,"
in which the character “Alice Bloomfield” is based on
Alice McGrath. She supports the UW Harry Bridges Center for Labor
Studies, the Center for Constitutional Rights and other local and
national projects. She has been honored by the Mexican American
Bar Association of Los Angeles County (the Cruz Reynoso Award),
the Ventura County Criminal Defense Bar and the Center for Constitutional
Rights. Her mentors and role models include Carey McWilliams, LaRue
McCormick, Josephine Fierro de Bright, George Shibley, Ben Margolis,
Harry Bridges, Luisa Moreno, Charlotta Bass and W.E.B. DuBois. Now
88, Alice McGrath remains active in supporting the issues that have
been central to her life: social justice and the need for all Americans
to have a voice.
SONIA
M. MERCADO is the principle at the Law Offices of Sonia
Mercado and Associates and litigates civil rights cases, medical
professional liability, insurance defense, business/contractual
litigation defense, securities fraud, family law, and appeals before
the U.S. Court of Appeals for the Ninth Circuit, and the California
Appellate Courts. She has also argued before the U.S. Supreme Court.
Her published articles include "Due Process and the Duty to
Protect", and "Deliberate Indifference Standard in Rendering
Medical Care" in Recent Developments in Police Civil Liability,
by Mathew Bender (1999). She is a graduate of UCLA’s Law School
and has made numerous presentations at the campus including at the
Law Fellows Program, on “Ensuring Equity, Access, and Excellence
in Legal Education,” and “Civil Remedies for Police
Misconduct: Possibilities and Promises of Civil Lawsuits to Remedy
Police Misconduct.” Other seminars and lectures have
included “Preparing for Trial in Federal Court,” presented
at The Latina Lawyers Bar Association; “Expert Testimony in
Police Misconduct Cases,” presented at the Police Misconduct
Litigation of Suffolk University Law School, Loyola Law School;
“The Importance of Doing Public Interest Work,” presented
at the Annual Trina Grillo Public Interest and Social Justice Law
Retreat, Santa Clara University, School of Law; “Due Process
and the Duty to Protect,” presented for Mathew Bender Continuing
Legal Education and the Los Angeles County Bar Association; “The
Deliberate Indifference Standard in Rendering Medical Care,”
presented for Mathew Bender Continuing Legal Education and the Los
Angeles County Bar Association; “Civil Procedure/Discovery
in Federal Court,” presented at Southwestern School of Law,
Los Angeles; "Protecting Civil Rights Under Section 1983,"
presented to the National Hispanic Bar Association, Albuquerque,
New Mexico; “Civil Rights in a Growing World Economy,”
presented at Columbia University Law School, New York; “Civil
Rights - The Distinction Between Deliberate Indifference and Medical
Malpractice,” presented to "Section 1983 Litigation,"
Loyola Law School; "Enforcement of Human Rights - The Living
Constitution of the United States," presented at the Southwestern
School of Law, Los Angeles; "Civil Rights and Deliberate Indifference
to Urgent Medical Care," presented to the Hispanic National
Bar Association, Miami, Florida; "A Comparative Look at Vindication
of Human Rights Violations in France and the United States,"
Summer Institute on International Human Rights, Magdalen College,
Oxford University, England.
DOUGLAS
MONROY is the author of Thrown among Strangers: The
Making of Mexican Culture in Frontier California, winner of
the James Rawley Prize of the Organization of American Historians,
and Rebirth: Mexican Los Angeles from the Great Migration to
the Great Depression which contains the classic "Our Children
Get So Different Here: Parents and Children in Mexico de Afuera."
At present he is the Ray Allen Billington Visiting Distinguished
Professor at Occidental College and the Huntington Library where
he is at work on a new book In the Footsteps of Father Serra:
Conversations about California, Mexico, and America.
MARY
PARDO is the Chair and Professor in the Chicana/o Studies
Department, California State University, Northridge. Her teaching
areas focus on gender, Third World Women and the Chicana, Written
Communication Skills, and graduate courses including Qualitative
Research Methods. She is the author of articles and a book on Mexican
American women and grassroots activism in East Los Angeles, Mexican
American Women Activists: Identity and Resistance in Two Los Angeles
Communities, (Temple University Press, 1998). The book received
the American Sociological Association Latino Section Award for outstanding
scholarly contribution and an honorable mention from the Gustavus
Myers Program for the Study of Bigotry and Human Rights in North
America. She continues to center her research on women and community
activism. She is an executive board member of FOR CHICANA/O STUDIES,
a non-profit advocacy group providing support for cases of employment
discrimination in institutions of higher learning.
CATHERINE
S. RAMIREZ is an assistant professor in the Department
of American Studies at UC Santa Cruz, where she teaches courses
on Chicano and Latino history, literature, and culture; African
American literature; feminist theory; and theories and methods of
American studies. She has published work in various journals and
edited collections. Her essays on women, youth gangs, and the zoot
subculture include "Crimes of Fashion: The Pachuca and Chicana
Style Politics" (Meridians Vol. 2, No. 2) and "Representing,
Politics, and the Politics of Representation in Gang Studies"
(American Quarterly Vol. 56, No. 4). Presently, Catherine
is completing her book manuscript, The Lady Zoot-Suiter: The
Pachuca and the Rearticulation of Race, Class, Gender, and Nation,
which is under contract with Duke University Press. This book examines
the participation of Mexican American women in the zoot subculture
of the 1940s and the figures of the pachuca and pachuco (i.e., Mexican
American homegirl and homeboy) in Chicano cultural production since
the late 1960s. Catherine's next project explores the relationship
of Chicanas and other New World peoples to the discourses of science,
technology, reason, and humanism.
PETER
RICHARDSON is author of American Prophet: The Life and
Work of Carey McWilliams (University of Michigan
Press, 2005) and numerous works on policy, writing, language, and literature.
He was formerly a writer and editor at the Public Policy Institute
of California, associate professor of English at the University of
North Texas, and editor at Harper & Row Publishers, New York.
A Fulbright Senior Scholar in 1994 and NEH Summer Seminar Fellow at
Harvard University in 1993, he has taught in the Publishing and Editing
program at UC Berkeley Extension since 2001. He holds a Ph.D. in English
from the University of California, Berkeley, and a B.A. in economics
from the University of California, Santa Barbara.
THOMAS A. SAENZ is Vice President of Litigation at the Mexican American
Legal Defense and Educational Fund (MALDEF), a national organization
dedicated to securing and promoting the civil rights of Latinos
in the United States. As Vice President of Litigation, Tom oversees
MALDEF’s efforts nationwide to pursue civil rights litigation
in the areas of education, employment, political access, immigrants’
rights, and public resource equity. Tom was born and raised in southern
California. He graduated summa cum laude from Yale University, and
he received his law degree from Yale Law School. Tom then served
as a law clerk to the Honorable Harry L. Hupp of the U.S. District
Court for the Central District of California, and to the Honorable
Stephen Reinhardt of the U.S. Court of Appeals for the Ninth Circuit.
Tom joined MALDEF as a staff attorney in 1993; he became Los Angeles
Regional Counsel in 1996, National Senior Counsel in 2000, and Vice
President of Litigation in 2001. Tom has served as lead counsel
in numerous civil rights cases, involving such issues as educational
equity, employment discrimination, immigrants’ rights, day
laborer rights, and voting rights. For example, he served as MALDEF’s
lead counsel in successfully challenging California’s Proposition
187 in court; as such, he presented extensive written and oral arguments
on numerous occasions in three different cases involving the anti-immigrant
initiative. He was also MALDEF’s lead counsel in two court
challenges to Proposition 227, the English-only education initiative
that voters enacted in 1998, and he successfully challenged a Los
Angeles County ordinance barring day laborers from soliciting employment.
Tom also served as MALDEF’s lead counsel in challenging California’s
congressional redistricting in 2001. For seven years, Tom has taught
"Civil Rights Litigation" in the spring semester as an
adjunct lecturer at the U.S.C. Law School. Tom also currently serves
on the Los Angeles County Board of Education and on the Los Angeles
County Commission on Human Relations.
KINAN
VALDEZ (Director) first began performing with El Teatro
Campesino as a child of 3 with his parents Lupe and Luis Valdez
on the road in Europe. Currently he is directing Corridos REMIX
– A Musical Fusion of Ballads Beyond Borders at San Diego
Repertory Theatre, written collaboratively with and starring his
father. Recently, he has been seen in The Shrunken Head of Pancho
Villa, Bandido. He made his professional directorial debut
in 1994 when he co-directed ETC’s biennial Christmas production,
La Virgen del Tepeyac. His style has left an indelible
mark on ETC’s productions ever since. At ETC’s playhouse,
he has directed Luis Valdez’ Soldado Razo, Alfred
Jarry’s Ubu Roi, marking the 100th year of the original
staging, Antonin Artaud’s The Cenci and Luis Valdez’
El Fin del Mundo and The Shrunken Head of Pancho Villa.
All have earned him credit as a bold, creative, highly imaginative
young director. Kinan is also a film director/writer and member
of Chicanos on the Run. His film credits include King Lear,
the award-winning video short, Little Louie, I,
Priísta, and the award winning Ballad of a Soldier,
an independent feature film adaptation of Luis Valdez’ one-act.
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